He combines Southern efficiency with Northern charm. He expresses strong affection for the idiosyncratic sound (go go) of his hometown, but makes it palatable for those who have never heard it before. Jonathan Bradley apt described him “as a uniter, not a divider, with a strongly backpacker aesthetic with a breakout song that features Bun-B and Pusha-T. He’s moral without being moralizing, he’s smart but not nerdy, he’s critical but not conscious. Whereas it could easily come off as sub-emo whining, Wale succeeds because of his ability to reconcile contradictions. The guy’s got an opinion on everything from the myriad problems facing the rap world to the press to illegal downloading, to the DMV and how its possible that Eddie Murphy could get a wife, ex-wife and baby mother all in the same year. But for all the attention he’s already accrued, Wale’s conceptually brilliant The Mixtape About Nothing not only justifies the acclaim, but deserves to put him on anyone’s short list of the best rappers of his generation.įrom “The Opening Title Sequence,” where Wale flows over the gurgling Seinfeld bass line, to “The End Credits,” Wale’s songs burst with ideas. rapper Wale’s Mixtape About Nothing that dropped last week.įor those just tuning in, over the past year Wale has built a name for himself as one of the most promising rappers around, dropping the impressive 100 Miles & Running mixtape, signing to Interscope, earning the cover of Urb, a spot on EW’s Top 8 To Watch in 08 list and placement on the main stage of this year’s Rock the Bells tour. Yet none of that trio has realized the medium’s true capabilities quite like D.C. Funkadelic, and Kanye’s pre- Graduation mixtape featuring uncleared Thom Yorke and Peter, Bjorn & John samples. In the last 10 months alone, we’ve seen Rhymefest’s Man in the Mirror Mixtape flip old Michael Jackson beats, Blueprint’s Blueprint Vs.
Wale the mixtape about nothing download full#
Everyone wins.īut the format didn’t reach full bloom until just recently, with rappers increasingly discovering creative avenues that had been ostensibly killed with the Biz Markie sampling decision. What was once a promo tool to stoke hype has become a vital artistic necessity, one spurred on by the increasing reluctance of majors and indies to release rap albums.* Compounded with the Internet’s ease of transmission, rappers have been slowly realizing the medium’s potential: namely, that by releasing an album on the Internet, you can use prohibitively expensive copyrighted material gratis and in the process manage to keep your name on everyone’s mouths. What’s not up for debate is the fact that those tapes, along with the Dipset 03-05 material and the early 50 Cent bootlegs, changed the game. to borrow from Kane: rhyming over “Reppin’ Time” is like spandex, they can make any ass seem good. 2 or any number of the critically adored Lil Wayne mixtapes didn’t have their share of exceptional moments, but they were poorly mixed, filled with migraine-inducing DJ drops, and benefited heavily from unfair beat selection advantage. More often than not, mixtapes lack the conceptual unity, cohesiveness and thoughtfulness that people should require from great records.
The post may have been a tad heavy-handed, but its point was salient. This mixtape is so sick and complete it's good enough to be a album, seriously.Last November, Zeus wrote a post dissecting the differences between albums and mixtapes for the benefit of crits and fans who had been mistakenly conflating Pusha-T rhyming over old G-Unit beats for high art. As I said earlier, I can't get enough of Wale's unique sick fresh style and this mixtape is just what I was looking for. And this mixtape is too sick and definitely worth the wait. Well now it's finally here, the follow-up to his Mixtape About Nothing. Well, it really isn't a suprise that I like most of what Wale puts out, and lately I've been posting some of his latest tracks 'The Eyes of The Tiger' and 'The Black N Gold' off this mixtape, and you guys have been loving them.
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